Selected works spanning the Gothic, Renaissance, and Early Modern periods. We offer a curated selection of sculptures, statuary, medieval goldsmithery and reliefs, including Virgins and Child, representations of Christ, and various architectural elements such as Gothic columns, capitals, and corbels. Characterized by increased naturalism and fluidity of form compared to earlier Romanesque styles, Gothic sculpture reflects a transition toward a more humanized representation of sacred figures.

REF. 275

Risen Christ, standing in a slight contrapposto, legs crossed, Ulm, Swabia, circa 1490–1510.. The torso is bare, while a mantle is wrapped around the hips and drawn up by the right hand. The treatment of the head corresponds to the formal vocabulary observed in figures of Christ and the Apostles attributed to the workshop of Niklaus Weckmann in Ulm: a heavy upper eyelid, slightly open mouth with sharply incised corners, and a pronounced lower lip. The beard is carved as combed, rhythmic S-shaped locks arranged in layered masses under the chin. The hair is worked into broad ribbon-like strands, each ending in a hooked curl. The drapery further supports the attribution to the workshop of Niklaus Weckmann: it falls in thick, tubular folds broken by sharp V-shaped ridges, alternating angular facets and deeply carved channels...

REF. 239

Beautiful and important triumphant Christ in lime wood with remains of polychromy. Christ has his head leaning on his right shoulder, his eyes half-closed and his mouth half open. The hair is combed into thin locks, falling on the shoulders. It wears a short perizonium, with V-shaped folds. The legs keep a relatively parallel position. The face is beautiful, the nose well defined. Our sculpture responds to the canons of the German Christs triumphant from the beginning of the 15th century. It still shows clear influences from the 14th century...

REF. 240

Large Christ in gilded bronze. His head surrounded by a crown is slightly inclined on the right shoulder. The ribs are well marked, above a long perizonium. Beautiful face offering parallels with the Gothic ivories of Paris and eastern France. The plasticity of the face, the perizonium, the position of the legs lead us to date this Christ during the 14th century. A Very Close Christ was sold at Sotheby's in December 2000, during the sale of the Léopold Kolisch collection. ..

REF. 201

Important bust of Saint or Virgin of the Annunciation. Life size veiled woman. Full-featured face with almond-shaped eyes and large locks of curly wawy hair sticking out of the veil. Tiny traces of polychromy...

REF. 216

Large and beautiful Christ in champlevé and gilded enamel. Our Christ features glass eyes, a crowned head, and a long perizonium. Rare by its large size, it presents a good quality of execution and a good conservation.
Repoussé, enamelled and gilded copper work. Possible provenance: Grandmont Abbey (Haute-Vienne), first third of the 13th century...

REF. 186

Beautiful Saint-Jean in oak wood carved from the Gothic period. Standing, his left leg bent, he is dressed in a dress tied at the waist with a belt and a coat with a chest strap. The clothes have loose, straight folds...

REF. 248

Pyxis in enamelled, engraved, chased and gilded champlevé copper. Blue, green and turquoise enamels. Our pyxis is composed of a cylindrical body and a conical lid topped with a cross. The body has alternating medallions decorated with asters and fleurons. The lid has the same decoration. The gilded fleurons are framed by scrolls and stand out against turquoise enamels. Limoges, mid-13th century...

REF. 244

Large central plaque of a cross with Corpus Christi in enamelled and gilded champlevé copper. Christ is depicted crowned and haloed, the crown decorated with diamonds, the eyes inlaid with glass beads. The hair falling on the shoulders and the beard are finely chiseled. He wears a long perizonium with oblique folds also chiseled. Cross with decoration of blue, yellow, green, turquoise, white and red enamels. This Gothic goldwork is characteristic of the Limoges workshops of the first third of the 13th century. Beautiful size and quality of execution with beautiful precision in the chiselling of the head...

REF. 196

Large Saint John in sculpted linden, hollow back. South Germany, workshop of Niclaus Weckmann in Ulm towards the end of the 15th century. Our Saint John presents all the characteristics of the style of the master of Ulm: the expressive face with emaciated features, the delicately sculpted and openwork hair with its striated and wavy locks. The coat features fringe and pleats with characteristic crocheted appendages and triangle tips. The hollowed back also shows the mark of the master: the woodpecker hole digged at the back of the skull, characteristic of Weckmann...

REF. 150

Rare and beautiful column with carved mythical creatures in a floral backdrop mixed with geometric patterns. This beautiful column undoubtedly comes from a Gothic portal. The romanesque influence is still very noticeable. ..

REF. 187

Very beautiful Virgin and Child in oak characteristic of the corpus of Ile de France workshops from the beginning of the 14th century, particularly illustrated by the work of ivory or monumental sculpture .
Our Virgin is a rare example of carved wood using these canons. Beautiful face of the Virgin with ample volumes on the drapes, elegance of the posture characteristic of these workshops...

REF. 153

Virgin of the Annunciation in sculpted limestone. Mid 15th century. ..

Gothic sculpture sees a profusion and diversification of media. Still austere for the first Gothic art, statuary knows an explosion of Marian worship with series of virgins and children. Architectural works remain with capitals, corbels and columns. The Ekinium gallery offers a series of religious and secular works from the gothique period.

This website is using cookies We use cookies to ensure you get the best experience on our website. If you continue without changing your settings, we will assume that you accept our privacy policy.
Privacy Policy