DISCOVER OUR LATEST ACQUISITIONS
Here you will find the newest additions to our catalog—our latest acquisitions of Romanesque and High Gothic art. Each work has undergone a rigorous appraisal, complemented by in-depth research into artistic and bibliographic references, ensuring the accuracy of its chronological and stylistic attribution.
Provençal Romanesque historiated capital from the 12th century, Herod and the Massacre of the Innocents, in dolomitic limestone, closely related to Saint-Trophime in Arles and Avignon, a rare medieval collectors’ sculpture...
Romanesque historiated capital. Available
Elements of a Lamentation of Christ in polychrome walnut, two life-size holy women, late 15th century, Albi region, attributed to the Master of Monestiès; polychromy preserved; ex-collection Édouard Bresset...
Lamentation of Christ Available
Romanesque marble capital (Rhône Valley / Velay, 12th c.): central mascaron, winged sirens with serpentine tails, acanthus, angular busts. Medieval sculpture, iconography of temptation...
Romanesque capital Available
Risen Christ standing in subtle contrapposto, circa 1490–1510, limewood carved in the round and hollowed at the back, attributed to the workshop of Niklaus Weckmann...
Workshop of Niklaus Weckmann. Available
Important Saint Anne with the Virgin and Child (Anna Selbdritt), Upper Rhine, late 13th c.: Gothic elm-wood sculpture, hollowed back, Romanesque–Gothic transition, Lake Constance...
Anna Selbdritt Available
Granite reliefs, early Irish Christian Insular art from Ulster (8th–11th c.), frontal busts with prominent eyes and crossed arms; one holds a cross pattée...
Early Middle Ages Reserved
Romanesque capital from 12th-century Occitania, worked in limestone on all faces with high relief of mythical creatures and foliage ornamentation typical of the period...
Romanesque capital Available
Marble prophet head, dated circa 1150–1170, from a southern Romanesque workshop. The stylized face with drilled orbits and the combed hairstyle with a stepped beard illustrate the artistic conventions of Languedoc–Provence Romanesque sculpture...
Romanesque marble Available
This late-14th-century marble sculpture from northern Italy depicts Mary Magdalene in a pleated mantle, with folds conveying dynamic movement. The serene facial features—full cheeks and a slightly aquiline nose—combined with the liturgical attributes of the nard jar and the Book, reflect the refined Gothic style of the period and the devotional function of the piece...
Gothic marble Available
This 12th-century limestone pilaster capital from Île-de-France features two decorative registers: an upper band of fleurs-de-lys and rosettes and a lower register of palmettes. The motif arrangement reflects the ornamental schemes introduced by Abbot Suger at Saint-Denis and exemplifies early Gothic ornamental tendencies...
Romanesque capital Available
This late-12th-century polychrome wooden sculpture of Saint John is notable for its elongated proportions and finely rendered vertical drapery. The meditative expression, with almond-shaped eyes and gently drooping eyelids, reinforces the contemplative pose holding the Gospel. The preservation of original polychromy highlights the nuanced color palette and sculptural finesse characteristic of the Mosan region school...
Saint John at the Calvary Sold
Marble prophet head by Gano di Fazio, dated around 1315–1317. The high forehead with wave-like hair relief, almond eyes, and ribbon-like locks exemplify the refined aesthetic of the Siena School...
Siena School Available
This early-14th-century Sienese marble sculpture by Tino di Camaino embodies the virtue Faith. The crowned figure holding lilies showcases cortical drapery folds and a calm expression, reflecting the sculptor’s late-career refinement in the Sienese school...
Tino di Camaino Sold
This mid-13th-century arkose gargoyle from Auvergne, depicting only the bust of a mythical creature, presents a stocky form and high-relief carving of the open mouth and ears. Its stylistic features correspond to the earliest Gothic workshops around Riom...
Gothic Gargoyle Available
5th-century BCE limestone bust in the Celtiberian tradition, marked by archaic stylization of facial features, including almond eyes and a crescent mouth. The geometric veil carving and torque detail reflect the intersection of Iberian and Celtic artistic influences...
Celtiberian Art Available
1st-century BCE insular Celtic sandstone head distinguished by its stylized facial abstraction and engraved hair patterns. The shallow oval eyes and geometric carving attest to its ritual and votive significance within ancient Celtic head cult traditions...
Insular Celtic Art AvailableYou can also browse our catalog by period via the links below to explore our Ancient, Romanesque, and Gothic collections.
