Curated artworks capturing the essence of Gothic Art and Sculpture, alongside Renaissance. Our collection unveils a meticulously selected array of sculptures, statuary, and reliefs, featuring iconic pieces such as the 'Virgin with Child,' religious gothic sculptures or medieval goldsmithery, and architecturally significant elements including columns, capitals, and corbels. Explore our collection of gothic art for sale.

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Virgin and Child Gothic period Ile-de-France. Polychrome stone.

Beautiful Virgin with the goldfinch in limestone carved in the round with traces of polychromy. Mary holds in her hand the bird that the Child feeds. Our sculpture shows traces of ocher and blue polychromy and gilding on the hair and flowered crown. The Virgin is draped in a mantle with a significant side fall under the left arm and whose beautiful folds announce the end of the 14th century. The faces of the Virgin and the Child direct us towards a production from the Île-de-France.

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 Virgin and Child


Catalan Gothic Virgin. Polychrome wood.

Important Catalan virgin from the 14th century in polychromed and gilded wood. Our sculpture is in an excellent state of conservation and has original polychromy. Our virgin is represented standing with a slight and elegant sway of her hips. The face with full, youthful features is framed by golden hair. The headdress, characteristic of the end of the 14th century, shows the use of starched canvas. The crown is old but undoubtedly later, as is the scepter pointing towards a representation of Mary. The Virgin's dress has diamond decorations common in Catalonia at the end of the 14th century, as do the filigrees of the headdress.

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 Gothic virgin


Triumphant Christ wood polychrome sculpture. Gothic Corpus Christi.

Beautiful and important triumphant Christ in lime wood with remains of polychromy. Christ has his head leaning on his right shoulder, his eyes half-closed and his mouth half open. The hair is combed into thin locks, falling on the shoulders. It wears a short perizonium, with V-shaped folds. The legs keep a relatively parallel position. The face is beautiful, the nose well defined. Our sculpture responds to the canons of the German Christs triumphant from the beginning of the 15th century. It still shows clear influences from the 14th century.

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 Polychrome Christ


Gothic gilded bronze Christ. 14th century.

Large Christ in gilded bronze. His head surrounded by a crown is slightly inclined on the right shoulder. The ribs are well marked, above a long perizonium. Beautiful face offering parallels with the Gothic ivories of Paris and eastern France. The plasticity of the face, the perizonium, the position of the legs lead us to date this Christ during the 14th century. A Very Close Christ was sold at Sotheby's in December 2000, during the sale of the Léopold Kolisch collection.

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 Gothic Bronze Christ


Gothic period prophet's head sculpture. 14th century.

Handsome bearded face framed by curly hair emerging from the prophet's cap. This head is very expressive and shows a thoughtful man in age. This Gothic sculpture in the round can be compared to 14th century sculptures from the North of France, some coming from the disappeared cathedrals of Arras, Boulogne-sur-mer and Cambrai. A probable origin for this Gothic sculpture coming from a collection in the Saint-Omer region is the Saint-Bertin Abbey.

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 Gothic sculpture


Virgin Mosan art. Polychrome wood.

Elegant Virgin and Child called Sedes Sapientiae. Mary holds the Christ standing on her left knee. Oval face of the Virgin, framed by a diademed headdress. Our sculpture is distinguished by the position of the two figures, looking to the side and by the attitude of Christ and the graceful movement of his robe. The clothes, hairstyles and facial features direct us towards a Mosan production from the end of the 13th century with stylistic influences from the court of Saint Louis.

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 Mosan sculpture


Bust of a Gothic apostle from the workshops of Reims. Sculpture in limestone.

Beautiful bust of an apostle in a very emotional attitude. Our sculpture presents a still young apostle, with beautiful and gentle features. He applies his hand under his bifid beard, in a pensive and deep attitude. Note the hand with thin and long fingers, typical of the 13th century. Elongated face with high cheekbones, framed by wavy hair.

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 Gothic sculpture Reims


Enthroned Virgin. French Catalonia - Maria Lactans

Rare wooden polychrome Virgin and Child from the Fenouillèdes region representing Virgo Lactans. Before this discovery, only 3 medieval nursing madonnas were known in the Pyrénées Orientales. Our Virgin is distinguished by the quality of its execution, the preservation of its polychromy and a known origin. Mary is seated on the throne with a gentle and mysterious air. The Child on his knees holds the Book on and raises the index and middle fingers of his right hand.

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 Gothic Virgin


Head of an apostle or a prophet. Carved marble.

Superb head of an apostle by an Italian master from the end of the 13th century or beginning of the 14th century. Beautiful wavy beard, almond eyes, well marked cheekbones.

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 Italian Old Master


Italian gothic sculpture Altounian collection. Marble relief fragment.

Small marble head representing a bearded man in profile, an apostle or a prophet. This sculpture comes from the Joseph Altounian collection dispersed during the Artcurial sale of September 18, 2019. It bears on the reverse the typical label of the Joseph Altounian collections Ref: Annexe 622. Our sculpture has been cited as coming from the close circle of Giovanni Pisano. Without being able to affirm this attribution with certainty, our marble nevertheless belongs to the Tuscan school of the beginning of the 14th century, under the influence of sculptors such as Pisano or Giovanni di Balduccio. The comparison with the latter is interesting, Giovanni di Balducio produced capitals and funerary reliefs with representations very close to our marble.

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 Gothic Marble Sculpture


Gothic bust of saint. Upper Rhine.

Bust of a saint in polychrome wood, hollow back. This bust can be compared to the reliquary busts of Saint Ursula and her companions known on the Middle Rhine in Cologne, as well as the opening virgins of the Upper Rhine. However, our sculpture retains the techniques in force in the 13th century, including the hollowed back, and a style different from the saints of the Middle Rhine. It must be placed in southern Germany in the 14th century.

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 Gothic virgin sculpture


Saint Sebastian Lombard school. Renaissance alabaster.

Large Saint Sebastian finely carved in alabaster. The saint is attached to a column surmounted by a capital, beautiful soft features and superb hair with long openwork and wavy locks. This statue was the object of a devotion as evidenced by the wear of the face and the accident on the nose.

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 Renaissance Alabaster


Bust of Gothic Virgin. Lorraine 14th century.

Important bust of Saint or Virgin of the Annunciation. Life size veiled woman. Full-featured face with almond-shaped eyes and large locks of curly wawy hair sticking out of the veil. Tiny traces of polychromy.

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 Lorraine gothic sculpture


Large Gothic Christ of Limoges workshops. Champleve enamelled and gilded figure.

Large and beautiful Christ in champlevé and gilded enamel. Our Christ features glass eyes, a crowned head, and a long perizonium. Rare by its large size, it presents a good quality of execution and a good conservation.
Repoussé, enamelled and gilded copper work. Possible provenance: Grandmont Abbey (Haute-Vienne), first third of the 13th century.

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 Gothic Christ


Polychrome Virgin of the Annunciation. Catalonia.

Large Virgin of the Annunciation in polychrome wood. Our Virgin is represented in the phase of the Conturbatio, Mary expresses her amazement and is represented as a young girl with soft and resigned features. The long dress with a notched collar typical of the end of the 13th century has preserved magnificent blue and red decorations, applied directly to wood or to starched canvas, which is still well preserved.

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 Catalan Virgin


Catalan School of the 13th century. Bishop statue in polychrome wood.

Large polychrome wooden statue representing a holy bishop carrying a crosier and making the sign of blessing. The sculpture stands out for the simplicity of its forms, the rigid technique of straight lines and the design of the face still reminiscent of the Romanesque style. The plasticity of the face, the folds of the dress, the rigidity of the forms lead us to place this work at the beginning of the Gothic period, in the 13th century, with Romanesque influences still present in the expressions and the posture. Our sculpture shows traces of polychromy and gilding.

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 Catalan Gothic Sculpture


Sedes Sapientiae. Mosan Virgin with Child.

Large Virgin and Child in oak from the end of the 13th century or beginning of the 14th century. The plasticity of the faces and of Christ evoke the 13th century (the face of the Virgin evokes the face of the Romanesque Sedes Sapientiae of Seron) while the drapes of the Virgin's dress herald the following century. Marie, with her beautiful oval face, is seated on a throne bench. Mosan Virgins are rarer in collections than the southern European ones.
Remains of polychromy and gilding. Hollowed back with hook closure.

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 Sedes Sapientiae


Head of an apostle, Gothic period. Paris or Ile de France.

Important head of an apostle statue. Long and antiquating features. Erosion due to long exposure to the elements observable on the hair. Limestone deposits. Exceptional sculpture, probably Paris, 13th century.

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 Apostel Gothic sculpture


French crowned queen's head. Champagne.

Large crowned queen's head with trace of polychromy in half-bump. The crown features a fleur-de-lis and cabochons. The almond-shaped eyes are framed by well-marked eyelids with incised eyelashes. Youthful, oval face with full features characteristic of the late 14th and early 15th century Gothic period. The mouth is small with a nostalgic expression. The hair is represented in fine locks, without a veil.

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 Gothic Queen


Head of apostle or Christ. 13th century

Head of apostle or Christ in sculpted limestone. Elongated face with a large forehead and long hair with thick wavy locks on the sides
The almond-shaped eyes are underlined by the hemmed eyelids. Small modern plinth in reconstituted stone.

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 Gothic Apostle


Saint John Evangelist. Carved oak.

Beautiful Saint-Jean in oak wood carved from the Gothic period. Standing, his left leg bent, he is dressed in a dress tied at the waist with a belt and a coat with a chest strap. The clothes have loose, straight folds.

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 Gothic statue


Saint John evangelist. Polychrome wooden sculpture

Altarpiece sculpted in half-round wood, polychromed and gilded.
Seated at his desk, he holds a stylus in his left hand and an inkwell in the other; elongated face, framed by long wavy hair, with eyes tapering towards the temples; he is dressed in a simple belted tunic and a coat, one side of which falls to the front of the knees. Hollow back.

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 Gothic polychrome figure


Fragment of a Gothic tympanum. Angel of the Last Judgment.

Important and rare fragment of a Gothic tympanum. In a mandorla, angel under the arm of god, hand raised in the attitude of judgment.

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 Sculpture


Bust of the Virgin Mary. Gothic art.

Bust of a crowned madonna. Typical production of workshops in Lorraine or eastern France. Traces of polychromy.

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 Gothic virgin


Polychrome stone figure. Pilgrim End of the Gothic period.

Pilgrim figure in sculpted and polychromed limestone. He holds a calabash in his left hand. He probably held the pilgrim's staff in his missing right hand. Very beautiful face framed by a long and bifid beard.

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 Polychrome statue


Angel bust. Gothic Sculpture.

Sculpted limestone bust of an angel with characteristic 14th century hairstyle and drapery.

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 Gothic Limestone Angel


Impost representing a laureate head. Gothic art.

Laureate and bearded head probably representing an emperor, Charlemagne or a Roman emperor.

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 Sculpture


Niklaus Weckmann. Saint John. Carved linden.

Large Saint John in sculpted linden, hollow back. South Germany, workshop of Niclaus Weckmann in Ulm towards the end of the 15th century. Our Saint John presents all the characteristics of the style of the master of Ulm: the expressive face with emaciated features, the delicately sculpted and openwork hair with its striated and wavy locks. The coat features fringe and pleats with characteristic crocheted appendages and triangle tips. The hollowed back also shows the mark of the master: the woodpecker hole digged at the back of the skull, characteristic of Weckmann.

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 Niklaus Weckmann


Colonnette. First Gothic art.

Rare and beautiful column with carved mythical creatures in a floral backdrop mixed with geometric patterns. This beautiful column undoubtedly comes from a Gothic portal. The romanesque influence is still very noticeable.

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 Sculpture


Madonna and Child. 14th century Parisian workshops.

Very beautiful Virgin and Child in oak characteristic of the corpus of Ile de France workshops from the beginning of the 14th century, particularly illustrated by the work of ivory or monumental sculpture .
Our Virgin is a rare example of carved wood using these canons. Beautiful face of the Virgin with ample volumes on the drapes, elegance of the posture characteristic of these workshops.

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 Gothic Madonna and Child


Important bust of a virgin of the Annunciation. Gothic art.

Virgin of the Annunciation in sculpted limestone. Mid 15th century.

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 Gothic virgin


Polychrome Altarpiece. Entombment of Christ.

Beautiful altarpiece element in polychrome limestone depicting the Entombment and depicting 6 characters surrounding Christ. Joseph of Arimathea and Mary are depicted at his bedside.
This piece is distinguished by the presence of 6 personages instead of the traditional 7, John beardless and seated is present, as well as Nicodemus, one of the 3 holy women (Marie Madeleine, Marie Salomé and Marie Cléophas) ​​is absent from the scene. .

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 Gothic Altarpiece


Head of a Gothic king. Sculpted stone

Crowned king's head with traces of polychromy. Former Joseph Laissus collection (1900-1969), engineer and president of the Société Jules Verne, Paris.

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 Gothic crowned king


Stele of the falconer. Bas-relief.

Important bas-relief representing a falconer. He holds in his raised right hand a typical lure from the 13th and 14th century. Stele seemingly unfinished in its lower part.

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 Sculpture


Renaissance Apostle Statue. Northern France or Flanders.

Beautiful limestone apostle. Beautiful and very expressive bearded face with curly hair. He is dressed in antique style and in a dynamic posture that contrasts with the Gothic figurations of previous centuries.

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 Apostle Statue


Virgin and Child. Normandy or Ile de France, end of the 13th century.

Important virgin with gothic child. A style still imbued with mysticism for this great virgin in limestone. Gilding and traces of polychromy.

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 Gothic virgin


Saint Peter. End of the Gothic period.

Saint Peter in majesty from the beginning of the 15th century. A moving regional work. Polychrome wood. Hollow back

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 Sculpture


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Gothic sculpture sees a profusion and diversification of media. Still austere for the first Gothic art, statuary knows an explosion of Marian worship with series of virgins and children. Architectural works remain with capitals, corbels and columns. The Ekinium gallery offers a series of religious and secular works from the gothique period.