DISCOVER OUR LATEST ACQUISITIONS
Here you will find the newest additions to our catalog—our latest acquisitions of Romanesque and High Gothic art. Each work has undergone a rigorous appraisal, complemented by in-depth research into artistic and bibliographic references, ensuring the accuracy of its chronological and stylistic attribution.
Romanesque capital from 12th-century Occitania, worked in limestone on all faces with high relief of mythical creatures and foliage ornamentation typical of the period...
Romanesque capital
Marble prophet head, dated circa 1150–1170, from a southern Romanesque workshop. The stylized face with drilled orbits and the combed hairstyle with a stepped beard illustrate the artistic conventions of Languedoc–Provence Romanesque sculpture...
Romanesque marble
This late-14th-century marble sculpture from northern Italy depicts Mary Magdalene in a pleated mantle, with folds conveying dynamic movement. The serene facial features—full cheeks and a slightly aquiline nose—combined with the liturgical attributes of the nard jar and the Book, reflect the refined Gothic style of the period and the devotional function of the piece...
Gothic marble
This 12th-century limestone pilaster capital from Île-de-France features two decorative registers: an upper band of fleurs-de-lys and rosettes and a lower register of palmettes. The motif arrangement reflects the ornamental schemes introduced by Abbot Suger at Saint-Denis and exemplifies early Gothic ornamental tendencies...
Romanesque capital
This late-12th-century polychrome wooden sculpture of Saint John is notable for its elongated proportions and finely rendered vertical drapery. The meditative expression, with almond-shaped eyes and gently drooping eyelids, reinforces the contemplative pose holding the Gospel. The preservation of original polychromy highlights the nuanced color palette and sculptural finesse characteristic of the Mosan region school...
Saint John at the Calvary
Marble prophet head by Gano di Fazio, dated around 1315–1317. The high forehead with wave-like hair relief, almond eyes, and ribbon-like locks exemplify the refined aesthetic of the Siena School...
Siena School
This early-14th-century Sienese marble sculpture by Tino di Camaino embodies the virtue Faith. The crowned figure holding lilies showcases cortical drapery folds and a calm expression, reflecting the sculptor’s late-career refinement in the Sienese school...
Tino di Camaino
This mid-13th-century arkose gargoyle from Auvergne, depicting only the bust of a mythical creature, presents a stocky form and high-relief carving of the open mouth and ears. Its stylistic features correspond to the earliest Gothic workshops around Riom...
Gothic Gargoyle
5th-century BCE limestone bust in the Celtiberian tradition, marked by archaic stylization of facial features, including almond eyes and a crescent mouth. The geometric veil carving and torque detail reflect the intersection of Iberian and Celtic artistic influences...
Celtiberian Art
1st-century BCE insular Celtic sandstone head distinguished by its stylized facial abstraction and engraved hair patterns. The shallow oval eyes and geometric carving attest to its ritual and votive significance within ancient Celtic head cult traditions...
Insular Celtic ArtYou can also browse our catalog by period via the links below to explore our Ancient, Romanesque, and Gothic collections.
